View our Spring 2024 Calendar of Events
The art historian Tom McDonough has organized David Hammons: Street Specific for the Binghamton University Art Museum, presenting work by our 1990 Rome Prize Fellow in visual arts.
The choreographer Molissa Fenley (2008 Fellow) is staging new and recent performances, collected under the title From the Light, Between the Lamps, with her company at Roulette Intermedium in Brooklyn.
A new book from Peter J. Holliday (1995 Fellow), titled Power, Image, and Memory: Historical Subjects in Art, will be published today by Oxford University Press.
A major survey of work by our 2019 Resident, Wangechi Mutu: Intertwined, opens on January 31 at the New Orleans Museum of Art. The exhibition covers her art practice from the mid-1990s to the present.
In Milwaukee, Present Music will premiere Raise by Pamela Z (2020 Fellow), written for four cellos and electronics. The in-person concert can also be watched via livestream.
A large-scale sculpture by Theaster Gates (2020 Resident) that underscores the artist’s “personal connections with Black music and mental health” is included in a one-person show, Hold Me, Hold Me, Hold Me, at White Cube in New York.
Next month the dancer and choreographer Brenda Way will be inducted into the California Hall of Fame. Way, a 2009 Resident at the Academy, is the founder and artistic director of the San Francisco–based Oberlin Dance Collective, better known as ODC.
The landscape architect Walter Hood (1997 Fellow) is showing his oil paintings and an installation in a solo exhibition, Arc of Life/Ark of Bones, at Auburn University’s June Collins Smith Museum of Art in Alabama.
Book of Mountains and Seas, a work by Basil Twist (2019 Fellow) that involves twelve singers, two percussionists, and six puppeteers, will get its Midwestern premiere from January 26 to 28 at the Chicago International Puppet Theater Festival.
Fatma Bucak (2024 Italian Fellow) talks to Artribune about the historical, political, and environmental stories that inform her interdisciplinary work in sculpture, performance, photography, and video.
The 21C Music Festival in Toronto will premiere a work by Sebastian Currier (1994 Fellow), titled Ongoingness. The composer wrote the piece for harpist Bridget Kibbey, who will perform it with the Calidore String Quartet.
James Welling, who will be the Academy’s Richard Grubman and Caroline Mortimer Photographer in Residence this May, explores digital processes in his latest solo exhibition, Thought Objects, at David Zwirner in New York.
Michael Rakowitz (2023 Resident) follows up The Monument, The Monster and The Maquette, his 2022 exhibition at Rhona Hoffman Gallery in Chicago, with Listening Back to Fragments, on view through March 2.
The artist Todd Gray (2023 Fellow) and the curator Ekow Eshun will meet at Vielmetter Los Angeles tomorrow to discuss the artist’s current exhibition of Rome Work at the gallery, as well as future projects.
For the exhibition harmony is fraught, Regen Projects in Los Angeles will debut over sixty photographs by Catherine Opie (2021 Resident) that have never been shown publicly. The presentation features images taken over the last thirty-plus years.
Paintings by Sharon Horvath (1997 Fellow), appearing in Small Myriad at Bookstein Projects in New York, “convey the feeling of deep water that contains both one’s reflection as well as the void.” The exhibition opens on January 11, 2024.
John North Hopkins (2009 Fellow) surveys four centuries of art and architecture in Unbound from Rome: Art and Craft in a Fluid Landscape, ca. 650–250 BCE, his new book from Yale University Press.
Elliott Green (2012 Fellow) calls his new paintings Imaginary Landscapes. See them in a solo show at Ferrara Showman Gallery in New Orleans through February 9.
The artist Abigail DeVille (2018 Fellow) will be a Mary Mackall Gwinn Hodder Fellow at Princeton University’s Lewis Center for the Arts during the 2024–25 academic year.
Pamela Hatchfield (2007 Fellow) was recently named 2023–24 Judith Praska Visiting Distinguished Professor in Conservation and Technical Studies at New York University’s Institute of Fine Arts.
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